{"id":256,"date":"2026-10-18T13:37:25","date_gmt":"2026-10-18T13:37:25","guid":{"rendered":"https:\/\/digital-villager.com\/?p=256"},"modified":"2026-10-18T13:46:00","modified_gmt":"2026-10-18T13:46:00","slug":"godless-postproduction-case-study","status":"publish","type":"post","link":"https:\/\/digital-villager.com\/en\/godless-postproduction-case-study\/","title":{"rendered":"Godless \u2014 Coordinating International Post-production"},"content":{"rendered":"

CASE STUDIES \u00b7 POST-PRODUCTION<\/p>

Organising the entire post-production process and coordinating the studios following a change in the co-production structure.<\/p>

Film<\/dt>
Godless (2016), directed by Ralitza Petrova<\/dd>
Role of Ruslan Grudev - Rocko<\/dt>
Post-production supervisor<\/dd>
Source material<\/dt>
Film and RED ONE<\/dd>
Aspect ratio<\/dt>
4:3<\/dd>
Optics<\/dt>
An anamorphic lens mounted vertically on the camera<\/dd>
Finishing<\/dt>
Ljubljana and Stockholm<\/dd><\/dl>

The challenge<\/h2>

Following a change in the co-production structure, the main challenge was to organise the entire post-production process and maintain coordination between the studios.<\/p>

My Work<\/h2>

As post-production supervisor, I took responsibility for organising the process and coordinating the participating studios. The work connected the different teams involved in the post-production of a film combining footage shot on film and RED ONE.<\/p>

Finishing<\/h2>

The film was finished in Ljubljana and Stockholm. This case study highlights the post-production supervisor\u2019s role in coordinating studios working in different cities.<\/p>